Duck Dynasty, A Review

Recently I watched a few full episodes and clips of Duck Dynasty on YouTube. I have never, ever watched a reality television series (outside of the contest shows). I'm sure I would not care for most of the genre, but I find Duck Dynasty very entertaining. In short, the Robertson family is hugely likable, as portrayed.

The series features Phil and Miss Kay, their four adult sons, Alan, Jase, Willie and Jep, their daughters in-law, Lisa, Missy, Korie and Jessica, plus their grandchildren, employees and friends. Perhaps, the most popular family member is Phil's brother, Uncle Si, a Vietnam veteran, who is off-beat and crazy in a good-natured way. Uncle Si is quite the storyteller. He claims his "stories are 95% true." You gotta love him for it!

The show takes place in West Monroe, Louisiana. It revolves around a family-run business, Duck Commander, which makes a duck call for duck hunters. The Robertson men are avid hunters and known for their ZZ Top-like beards and their strong Christian values. (Oldest brother, Alan, is the exception. He shaves.)

But so far, these characteristics don't bother me as a viewer. As long as people are honest, transparent and tolerant, I can accept some differences.

Duck Dynasty seems less scripted and more positive than other reality TV shows are reported to be. There is no high drama, or negativity. Ribbing, yes, but no fighting between family members. How refreshing not to have a king-or-queen of mean in a series. Watching pettiness and bad behavior gets old fast!

Despite their redneck image, Phil and sons are actually college graduates, as are the daughters-in-law. And, they have other talents. Miss Kay cooks banquet-size meals. Jase's wife, Missy, has a lovely singing voice, and Willie and Korie's daughter, Sadie Robertson, with no prior dance experience, came in second place on Dancing With With Stars. Back in the day, grandpa Phil was recruited to play pro-football, however, he turned the chance down because duck hunting was his calling. That decision seems to have worked out.

Willie and Korie Robertson on Jimmy Kimmel Live

I enjoy the humor and (dare I say) sincerity of the show. A critic might compare its realism to that of Ozzie And Harriet. Romanticised ... surely, but viewers are getting the essence of who the Robertsons are. 

The family sticks together, but are also altruistic and kind. They believe in giving back and helping a neighbor.

It's not featured on the show, but various family members have overcome adversity. None of them claims to be perfect. Phil was not always a model husband, and youngest son, Jep, had to find his way before he matured, but that's what fans like about the family. They are not saints, but come across as compassionate people trying to lead purposeful lives.

Although not a hunter, myself, I am OK with it on the show. In their environment, I understand why they do it. The Robertsons were money poor before Duck Commander made them wealthy, and they were brought up to kill what they eat. Even with money, it puts food on their table. Phil doesn't want his children and grandchildren to become as he puts it, yuppie boys and girls.

The Robertsons like to laugh at themselves, and television viewers like them for it. The show is fun, down home and charming. It's also a top rated series on the E-Network.

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Masters Of Sex, A Review

Photo: Showtime

Recently I binge watched the Showtime period drama, Masters of Sex. There are two seasons of 12 episodes each to watch, and it's a good investment of time. 

The show depicts the lives of sex therapists Dr. William Masters and Virginia Johnson, who are brilliantly portrayed by Michael Sheen and Lizzy Caplan. The real William Masters was an esteemed fertility doctor; Virginia Johnson, a divorced mother of two and former night club singer without a science degree. Initially, Mrs. Johnson was hired as Dr. Master's secretary. 

They began their sex studies in the 1950s when such research was considered smut, not science. It's not easy being pioneers in a field with controversy and misconceptions galore, and it requires brains, ambition, panache and an unrelenting tenacity to succeed. Each of the groundbreakers had qualities (i.e. strengths) the other lacked. First Masters and Johnson needed to set up a sex lab at the hospital where they worked; then they needed more autonomy so they moved their study to independent offices, therefore they needed backers with deep pockets; and still later, they needed to get published for their work to be taken seriously, not to mention, reach the ears of scientific grand poobahs and the public ... all of which took personal sacrifices and years of their lives.

Masters of Sex is one of the best written shows airing. It's a rich story. The characters are real and multi-layered, sometimes flawed, but not irredeemable or destructive. You understand what motivates them. There are no throw away characters on the show. You are interested in the entire cast of lead and supporting characters. There is not one person, who I haven't felt sympathy for at one time or another.

It gets complicated too. Smart people aren't always smart, and moral people fall short. Sometimes ignorance, ambition, ego, insecurity, politics or the times get in the way. The scripts are beyond good; they are sophisticated with slice of life insights.

Overall, it's an upbeat show. But at times people make compromises ... to get ahead ... to get along ... to get the job done.

And yes, there is plenty of sex to watch. But, none of it is gratuitous. Um, let's just anoint the show's talented cast as the bravest actors on TV. They do not flinch. Television viewers experience the venerability ... and get into the hearts and minds of all the characters. We root for them; and sometimes, ache for them.

What a quality show. There will be a season three.

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Penny Dreadful: A Review

Photo by Jonathan Hession - Showtime

Recently I binge watched the first four episodes of Penny Dreadful, a horror suspense television series, created and written by John Logan and co-executive produced by Sam Mendes for Showtime. 

I give the show a B+. I don't always understand what makes a character tick. Parts of the storytelling are engaging, and it should get better. Penny Dreadful has a handsome cast. Excellent acting by the entire ensemble. Hopefully after the back stories are told and the characters gel, the plot and action will snap, crackle and pop up to an A.

The edgy drama takes place in Victorian England and features famous 19th century British and Irish fictional characters, including Mary Shelly's Dr. Victor Frankenstein, Oscar Wilde's Dorian Gray and Mina Murray from Bram Stoker's Dracula.

Other principals are veteran actor, Timothy Dalton, who plays Sir Malcolm Murray, a seasoned African explorer, on a mission to rescue his kidnapped daughter, Mina from evil supernatural beings before it's too late. He teams up with Vanessa Ives (Eva Green), who is in touch with the occult and was close to Mina before a trust between them was broken. Sir Malcolm is aware of the history (and perhaps in the thick of it), but this arc is still unfolding for the audience.

Eva Green has beautiful, expressive eyes, though in my opinion, she should tone down the eye widening for television. She is a gifted stage actress, but for television, her expressions need to be a bit more restrained. That surely will happen as she grows more confident with her character. A notch less would turn very good acting into great acting.

Rory Kinnear portrays a very interesting misunderstood Frankenstein's monster. Caliban, the creature, is bitter that he came into the world in agony; was quickly abandoned; and is the polar opposite of handsome. So he hunts Victor Frankenstein down, subdues Frankenstein's much improved 2nd creature (which is sad!) and threatens to kill anyone Dr. Frankenstein holds dear unless the doctor makes an immortal mate for the resentful, anger-festering monster. It turns out Caliban longs for love and acceptance, which he is denied by most in society. Something bad is brewing ... perhaps at the theatre where Caliban works and finds a measure of acceptance and contentment. [Sweeney Todd is playing at the theatre!]

We discover that Dr. Frankenstein ... as a boy ... was wounded by seeing too much death. His purpose in life is to unlock the key to immortality. 

Josh Hartnett is American Ethan Chandler, a man of action. The actor is super watchable and easy on the eyes! A former gunslinger, brave and capable, his easy charm hides a more complicated nature. Ethan gets involved with Irish immigrant, Brona Craft, who is battling tuberculous. Brona and Ethan become friends with benefits. He wants to help her get treatment. So to earn the money, Ethan joins Sir Malcolm and Vanessa to find Mina. Without a doubt, Ethan is honorable, but we have yet to find out what kind of man he is. Is he in the habit of falling for lost causes ... or is he capable of life long commitments? We'll have to stay tuned.

The only certainties are ... it will take time, a mystic and the ability to outwit, out-fight and out-kill many terrifying demons before finding Mina Murray; and whatever Ethan Chandler is getting paid, it isn't enough.

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Premiers: NBC's Believe & ABC's Resurrection

This week two promising shows premiered on network TV. While the scenarios of each varies, both shows feature children with special gifts as central characters. 

Believe is co-created-written-and-directed by Gravity's Oscar winning director, Alfonso Cuaron. In it a little girl, who has paranormal powers, must be watched by a team of protectors to keep her from falling into the clutches of a corrupt millionaire, played by Kyle MacLachlan. MacLachlan's character, the well-connected Mr. Skouras, wants to use the child's powers for his own misguided purposes.

I adore a scene in Believe where the young girl, named Bo, tells a convicted murderer, Tate, who is sent to a hospital to bar her kidnapping, that the reason he has a tear streaming down his cheek is: "You remembered you were good once."  

The chase over the course of a television season should be fun and suspenseful, if the characters are multi-dimensional and worth getting to know. I will give the show a chance.

If you have ever lost a close family member, you may be disturbed and equally drawn in by Resurrection. In the series, an 8 year old boy, named Jacob, appears at his 60 year old parents' door, looking very much like the day he died, 32 years earlier. Most of us can identify with loss, grief and wanting our loved ones back. So it's not an easy episode to watch, but you don't turn the channel.

It looks like Jacob won't be the only person in town to rise from the dead. Previews show other dearly departed arriving. Past events will now have to be re-examined. Jacob's cousin, Maggie, a local doctor, gets involved. Her own mother died in the same accident, trying to save Jacob from drowning, or so everyone believes. Soon long ago secrets begin to unravel, and new mysteries need to be understood. What is happening in the small Midwestern town of Arcadia?

If the creators are clever in responding to the age-old questions about the meaning of life and death, the show will be gripping to watch. Resurrection is co-produced by Plan B Entertainment, Brad Pitt's company. Brad just won an Oscar for co-producing Twelve Years A Slave.

Fantasy and sci-fi genres can be more creative and take more liberties than straight dramas in explaining good and evil. The really genius ones (like HBO's Game of Thrones) do shed light on human nature. 

Let's hope these latest two will be complex and entertaining to watch. It's fantastic the networks are hiring talented people to produce different kinds of shows. Hopefully, it will lead to imaginative and great storytelling.

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NBC's Dracula

Photo: NBC

Tonight Dracula premieres on NBC as a ten episode limited series, starring Irish actor Jonathan Rhys Meyers. Shot in Hungary, the bloodthirsty drama begins in London at the end of the Victorian era. I love a scary vampire story -- the colossal interplay of good versus evil -- so I hope this one, based on Bram Stoker's 1897 legendary tale, is well-made. 

I am looking forward to the lavish costumes, the period sets, the acting chops (or fangs, grrr) of an international cast, as well as, the blood, lust and gore that result when a character uses bad judgment and ends up keeping Dracula alive for another day.

A modern Dracula has to be smart, charming and drop dead handsome. Otherwise you would sense the danger and run away screaming. But to be tempted and lured into his orbit, you have to perceive evil as good (and perhaps good as evil).  Oh ... you may sense there's something off about the Count of Darkness, but your eyes see only what they want to see, and your ears hear only what they want to hear ... and so you trust! (Into his lair, you go, grrr.)

And what if you are the Bloodsucker Prince? How will you contain your evil nature? You wake up every day of your undead life thirsting for blood. For you to live another day, someone ... a human ... must die. You did not ask to be immortal ... or a monster, but so it is. A curse.

Now ... what happens if you fall hopelessly in love with a woman? A good woman. An innocent woman. How safe is that person in your arms ... considering your evil, predatory nature? Most likely, you have heightened senses. You remember what it was like to be a man. Can love ever trump evil? Or will the smell of her warm blood be too strong to resist? Will you ... in the end ... suck the life out of her???

Dracula is centuries old, so when he rises from a long slumber, he always has a few scores to settle. Festering wounds that require vengence. Surely, the past will mingle with the present. That should be fun to watch.

 I hope this mini series thrills and frightens viewers to death ... and would it be too much to ask for it to adhere to the spirit of the original ... and have a few kernals that ring true about the human condition?  

Ok, I'll settle for clever entertainment. Please writers and show creators ... just don't mess it up!

Photo: NBC: Cast of Dracula

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Are You A Downton Abbey Fan?

Photo: itv

I am spending far too much of my leisure time re-watching seasons 1, 2 and 3 of Downton Abbey.  It's so well written and cast that I catch little details with each viewing.  Isn't it the best series to air in a long time?  Unlike so many other shows, Downton's twists and turns make perfect sense while being totally unpredictable.  Worth the price of the Blu-ray or DVD.

Each season the cast has grown, both in numbers and as a result of their experiences.  There are 24+ characters featured-in-detail, and I love the ensemble acting.  Even the bad characters are layered and gain your sympathy as plots thicken.  I truly appreciate how neither the series, nor the characters are black and white.  The creator, Jullian Fellowes, writes about times and a class system he knows very well.  Mr. Fellowes' wife is the daughter of an earl.

Downton Abbey is a series in which you invest in the characters.  As complicated as events get  -- and whether you agree or disagree with how characters behave -- you understand and root for them.

Watching Downton Abbey makes me think about a bygone era and the evolution of mores.  My God, were times harsh for everyone both upstairs and downstairs. The days were long, while the years were short, and if you were a servant, the work was endless.

After watching a Downton episode, certain thoughts run through my mind. Far from being original thoughts; they are clichés, but they are nonethess true.  Life is over in a heatbeat.  The world doesn't begin nor end with our present age.  Nothing and I mean, nothing ... people, places or things last forever.   Time changes things.  People can change with time and be changed by the times, but the more times change, the more people stay the same.  As Mr. Carson notes, "Human nature is a funny business."

Downton Abbey gets human nature right, and I can't wait for seaon 4.  Although the show would survive it, I hope none of the remaining characters want to leave.  I'd like to see a season 5 also. Just saying.

The cast on a press junket in New York City. Photo by just jared.

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